MUTANT
2020
photo by Nicole Marnati
MUTANT addresses the tension between desire, gender expression, and social restriction. Growing up in South Korea, Kim experienced his identity as something perceived as abnormal within dominant hetero- sexual frameworks. Rather than concealing this position, MUTANT transforms marginalization into a visible and empowered sculptural language.
The series reconfigures objects traditionally perceived as unimportant, mundane, or inferior into decorative and exaggerated hybrid forms that challenge hierarchical value systems embedded in gendered aesthetics.Through the integration of beautification rituals such as braiding, manicure practices, and the symbolism of high heels, the sculptures embody lived experience and performative identity.
MUTANT operates as both self-portrait and fictional species.These entities occupy the space between vulnerability and spectacle, intimacy and resistance. By materializing these hybrid bodies, Kim invites viewers to reconsider the cultural boundaries that regulate gender, beauty, and bodily expression.